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MAC Member Tom Hitchins Featured in Solo Exhibition at Hammond Hall

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  • 4 min read
Tom Hitchins installing one of his found-object coastal artworks at Hammond Hall in Winter Harbor, Maine.
Artist Tom Hitchins installs his solo exhibition, Driftwood & Found Objects, at Hammond Hall in Winter Harbor. The exhibition will be on view throughout September and October.

Steuben artist and Machias Arts Council member Tom Hitchins will bring his distinctive driftwood and found-object art to Hammond Hall this fall for a two-month solo exhibition presented by Schoodic Arts for All.


On view throughout September and October, Tom Hitchins: Driftwood & Found Objects will feature wall pieces and freestanding works, bringing together subjects and ideas that have fascinated Tom throughout his life.


An artist reception will be held Sunday, October 4, from 2:00–4:00 PM at Hammond Hall in Winter Harbor.


Seeing What Something Else Could Be


More than 90 percent of the materials Tom uses are found on local beaches—some discovered by Tom himself and others collected by friends who have learned to keep an eye out for interesting pieces of flotsam and jetsam.


What happens next has roots that reach much farther back.


“I have always enjoyed imagining the potential of things to be something else.”

eal Rock by Tom Hitchins, a tall blue driftwood assemblage depicting a Downeast coastal scene with boats, a lighthouse, houses, trees and a seal resting on a rock.
Seal Rock — Driftwood, stained glass, discarded hardware and paint, 10" × 36". Inspired by the seals Tom watches sunbathing on local reefs, the seal at the base of the piece began as a piece of driftwood that already so closely resembled the animal that it required little more than a touch of paint.

As a child, sand on a beach could become a castle, and a handful of toy soldiers could recreate a famous battle. Later, as an architect, Tom approached a building site in much the same way: looking at what was there, considering the available materials and conditions, and imagining what they could become.


Today, the process continues in his art.


The difference, Tom jokes, is that now he gets to create without worrying about client tastes and budgets, structural failures or building codes.


Shore, Sea and the Space Where They Meet


Lighthouse on Shoal by Tom Hitchins, a driftwood sculpture of a red-and-white lighthouse on a rocky coastal island with small buildings and boats.
Lighthouse on Shoal — Driftwood, hardware and paint, 13" × 6" × 8". Inspired by Tom Hitchins' lifelong fascination with the offshore lighthouses of New England, this piece imagines a lighthouse and its tiny coastal outpost shaped from found materials.

The works in the Hammond Hall exhibition explore several subjects that continually draw Tom's attention: historical ships, the landscapes and seascapes of Downeast Maine, the effects of light on different materials, and what he describes as his lifelong, visceral connection with “shore, sea and the space they meet in.”


His buoy pieces explore something different—the whimsical and nostalgic world of old, worn toys.


Airship on Wheels by Tom Hitchins, a whimsical found-object sculpture made from a painted lobster buoy, carpenter's rule, casters and assorted hardware.
Airship on Wheels — Lobster buoy, electronic parts, casters, carpenter's rule, driftwood, PVC elbow and bottle cap. Tom Hitchins gives an unlikely collection of found objects new life as a whimsical airship on wheels.

Those ideas come together in work that can be playful and familiar while still carrying deeply personal associations.


One of Tom's newest pieces is a tugboat.


As it began taking shape, Tom realized it looked like a cross between the hero of Scuffy the Tugboat, his favorite book as a young child, and the real tugboats he remembers watching push coal barges along New York City's East River in the late 1950s.


Found-object tugboat artwork by Maine artist Tom Hitchins, made with reclaimed coastal materials
Tom Hitchins' newest tugboat brings together memories of his childhood favorite, Scuffy the Tugboat, and the working tugboats he watched pushing coal barges on New York City's East River in the late 1950s.

Creating it unexpectedly brought those memories back.


“In doing it I touched a tender spot from my early years that at once surprised and cheered me.”

It's a wonderful example of what can happen when an ordinary found object becomes something more. The finished work doesn't simply depict a tugboat, it connects the Maine coast where Tom creates today with memories that have stayed with him since childhood.


Finding Art in the Rough Edges


Tom hopes visitors to the exhibition experience something similar when they see his work.

He wants people to find joy in seeing bits and pieces cast up on the beach assembled in ways that can be both whimsical and iconic. But he also hopes the work might change how visitors think about art and about the objects they encounter in their own lives.


“I want them to understand that real art can be rough around the edges, can be ‘homemade.’”

Tom Hitchins' workshop with hand tools, power tools, hardware and found materials surrounding a driftwood artwork in progress on his workbench.
Inside Tom Hitchins' workshop, tools, hardware, found objects and salvaged materials surround a work in progress—the raw ingredients for art that celebrates imagination, imperfection and the possibilities hidden in discarded things.

Perhaps most importantly, he hopes people leave with an appreciation for what they might be able to create from random things they would otherwise discard.


That philosophy makes the materials themselves an important part of the story. Weathering, wear and imperfection aren't necessarily flaws to be removed. They're part of what gives each object its character, and sometimes the clue to what it might become.


From historic ships and coastal landscapes to whimsical buoy creations, Tom's work reveals the possibilities hidden in materials shaped and discarded by the sea.


An Unexpected Honor


For Tom, being invited to present a solo exhibition at Hammond Hall came as a surprise.


“Being asked to do the exhibit at Hammond Hall is an honor that was both unexpected and amazing.”

Tom Hitchins looks at several of his installed driftwood and found-object artworks inside Hammond Hall in Winter Harbor.
Tom Hitchins takes in part of his newly installed exhibition at Hammond Hall. The invitation to present a solo show there was an unexpected honor—one Tom says he is “still processing.”

The significance isn't simply having an opportunity to sell his work. Tom says knowing that people whose opinions he respects enjoy what he's creating and believe there is a broad enough audience to warrant a solo exhibition means a great deal to him.


“Frankly, I am still processing the whole thing.”

Nearly all of the works in the exhibition will be available for purchase, with prices displayed at the show.


Meet Tom at the Artist Reception


Visitors can meet Tom and experience Driftwood & Found Objects during an artist reception Sunday, October 4, from 2:00–4:00 PM at Hammond Hall.


“Good art, good food and drink and excellent company—in a wonderful, historic, very ‘Maine’ space.”

The exhibition will remain on view throughout September and October.


Tom Hitchins: Driftwood & Found Objects

September–October 2026 Hammond Hall • Winter Harbor, Maine


Artist Reception: Sunday, October 4 • 2:00–4:00 PM



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